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OVATIONS FOR THE EROICA TRIO
 
By Giorgio Migliavacca
Standing ovations at the end of each of the two segments of the concert greeted the Eroica Trio last Friday at The HLSCC Atrium. Erika Nickrenz, piano, Adela Peña, violin, and Sara Sant,Ambrogio, cello, offered a perfectly calibrated programe. Each item was a jewel, carefully handpicked and superbly executed.
 
Amiable Joaquin Turina's Trio No. 2 in B minor, Op. 76 provided a brilliant start with the violin and cello going all the way with a seamlessly fluid technique. The warm Hiberian themes were delivered with timbral sparkle and luminous clarity. The second selection consisted of three Preludes for Piano written by George Gershwin between 1923 and 1926 and arranged for Piano Trio by Brazilian composer Raimundo Penaforte - a "signature offering of the Eroica Trio. These items do not need much of an introduction except for the slow middle prelude - a strikingly bluesy and introspective composition. The Preludes are exceedingly popular and have been re-arranged several times to suit special occasions or special performers. Heifetz arranged them for violin
and piano; and the second prelude has been re-written as a trombone and piano duet. Penaforte's arrangements are very interesting and pleasing. We would have preferred a more sharp delivery but this is probably a plus in that all too often Gershwin's music is "pushed beyond the limits.
 
Antonín Dvorak's Trio in E minor, Op. 90 ("Dumky) concluded the evening. Here the Eroica Trio gave a solid and most reliable performance producing beautiful sounds from all three instruments. Particularly prominent in this selection were the violin and even more so the cello. Adela Peña's violin had the typical Czech warmth, and Sara Sant,Ambrogio,s cello was moving, expansive, radiant and endowed with a superb portamento. On the other hand, Erika Nickrenz,s piano could have done with a bit more presence. The public was rewarded with a most charming encore - Benjamin Godard's Tenor Berceuse from "Jocelyn (1888). This "bon-bon was the proverbial cherry on the cake and the public left The Atrium with the distinct feeling that this was a night to remember for a long time.

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